<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-28931998</id><updated>2012-02-16T03:05:41.533-08:00</updated><category term='Review of Spoken English Classes in India'/><category term='Classical English Literature - a review'/><category term='Two good blog sites for essays on English Literature'/><category term='Reading Efficiently by Albert P Rayan'/><category term='Books and Authors Quiz'/><category term='#003 Books and Authors MCQ Test'/><category term='#001 Books and Authors Quiz'/><title type='text'>INDIAN LITERATURE yb</title><subtitle type='html'>Anonymous, harsh criticism, is welcome.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-28931998.post-5667342497758341419</id><published>2011-07-10T03:28:00.001-07:00</published><updated>2011-07-10T03:38:00.542-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='#003 Books and Authors MCQ Test'/><title type='text'>Books and Authors Quiz</title><content type='html'>&lt;br&gt;&lt;br&gt;&lt;form id ='fo' name='foname' method='POST' &gt;&lt;table border='4'&gt;Our starting point in understanding Indian Literature, whether Indian English Literature or the Indian Vernacular Literature, is to know 'who wrote, what?'.  Here is a small Objective Type Questions MCQ Test.  Pl. try.  You can, at any stage, press the 'get score' button and see your progress.&lt;br&gt; &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;1.The Author of  Ain-e-Akbari was : &lt;Input type='hidden' value='a' id ='foinp0'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q1'/&gt;Abul Fazal &lt;Input type='radio' value='b' name ='q1'/&gt;Ferista &lt;Input type='radio' value='c' name ='q1'/&gt;Firdausi &lt;Input type='radio' value='d' name ='q1'/&gt;Al Beruni &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;2.The Author of  'A Mountain of Happiness' is : &lt;Input type='hidden' value='b' id ='foinp1'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q2'/&gt;Arundhati Roy &lt;Input type='radio' value='b' name ='q2'/&gt;D. K. Khullar &lt;Input type='radio' value='c' name ='q2'/&gt;Kamala Markandeya &lt;Input type='radio' value='d' name ='q2'/&gt;R.K. Narayan &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;3.The Author of  Abhijnan Shakuntalam was : &lt;Input type='hidden' value='c' id ='foinp2'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q3'/&gt;bANa Bhat &lt;Input type='radio' value='b' name ='q3'/&gt;Sri Harsha &lt;Input type='radio' value='c' name ='q3'/&gt;Kalidas &lt;Input type='radio' value='d' name ='q3'/&gt;Bhavabhuti &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;4.The Author of  'Azhar (Life of Azharuddin-Cricketer)' is : &lt;Input type='hidden' value='d' id ='foinp3'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q4'/&gt;Vinod Mehta &lt;Input type='radio' value='b' name ='q4'/&gt;Vir Singhvi &lt;Input type='radio' value='c' name ='q4'/&gt;Khushvant Singh  &lt;Input type='radio' value='d' name ='q4'/&gt;Harsha Bhogle &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;5.The Author of  Anand Math was &lt;Input type='hidden' value='a' id ='foinp4'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q5'/&gt;Bankim Chandra Chatterjee &lt;Input type='radio' value='b' name ='q5'/&gt;Sarath Babu &lt;Input type='radio' value='c' name ='q5'/&gt;Aurobindo &lt;Input type='radio' value='d' name ='q5'/&gt;Bibhuti Bhushan Banerjee &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;6.The Author of  'Bliss was it in that Dawn' was : &lt;Input type='hidden' value='a' id ='foinp5'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q6'/&gt;Minoo Masani &lt;Input type='radio' value='b' name ='q6'/&gt;Piloo Modi &lt;Input type='radio' value='c' name ='q6'/&gt;Narendra Modi &lt;Input type='radio' value='d' name ='q6'/&gt;Rajaji &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;7.The Author of  'Blood Bath in Bangladesh' is : &lt;Input type='hidden' value='a' id ='foinp6'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q7'/&gt;Prabodh Chandra &lt;Input type='radio' value='b' name ='q7'/&gt;Tasleema Nasreen &lt;Input type='radio' value='c' name ='q7'/&gt;Mujibur Rahman &lt;Input type='radio' value='d' name ='q7'/&gt;NOT &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;8.The Author of  'Blood Brothers' : &lt;Input type='hidden' value='b' id ='foinp7'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q8'/&gt;Rambilas Pasvan &lt;Input type='radio' value='b' name ='q8'/&gt;M. J. Akbar &lt;Input type='radio' value='c' name ='q8'/&gt;Vinod Mehta &lt;Input type='radio' value='d' name ='q8'/&gt;Mamta Banerjee &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;9.The Author of  Bharat Bharati was : &lt;Input type='hidden' value='c' id ='foinp8'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q9'/&gt;Sumitra Nandan Panth &lt;Input type='radio' value='b' name ='q9'/&gt;Subrahmanya Bharati &lt;Input type='radio' value='c' name ='q9'/&gt;Maithili Saran Gupta &lt;Input type='radio' value='d' name ='q9'/&gt;Dayananda Saraswati &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;10.The Author of  'Charitraheen' was : &lt;Input type='hidden' value='d' id ='foinp9'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q10'/&gt;Bankim Chandra &lt;Input type='radio' value='b' name ='q10'/&gt;Bibhuti Bhushan Banerjee &lt;Input type='radio' value='c' name ='q10'/&gt;Aurobindo &lt;Input type='radio' value='d' name ='q10'/&gt;Sarat Chandra Chatterjee &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;11.The Author of  'Cosmic Reality' is : &lt;Input type='hidden' value='a' id ='foinp10'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q11'/&gt;Lajja Ram &lt;Input type='radio' value='b' name ='q11'/&gt;Kanshi Ram &lt;Input type='radio' value='c' name ='q11'/&gt;Raj Narayan &lt;Input type='radio' value='d' name ='q11'/&gt;Atal Bihari Vajpayee &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;12.The Author of  'Death of a city' was : &lt;Input type='hidden' value='b' id ='foinp11'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q12'/&gt;Amrita Shergil &lt;Input type='radio' value='b' name ='q12'/&gt;Amrita Pritam &lt;Input type='radio' value='c' name ='q12'/&gt;Vir Singhvi &lt;Input type='radio' value='d' name ='q12'/&gt;L.K. Advani &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;13.The Author of  'Death, The Supreme Friend' was : &lt;Input type='hidden' value='b' id ='foinp12'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q13'/&gt;K.M. Munshi &lt;Input type='radio' value='b' name ='q13'/&gt;Kaka Saheb Kalelkar &lt;Input type='radio' value='c' name ='q13'/&gt;Indra Nooyi &lt;Input type='radio' value='d' name ='q13'/&gt;Arundhati Roy &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;14.The Author of  'Economic Planning of India' was : &lt;Input type='hidden' value='a' id ='foinp13'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q14'/&gt;Ashok Mehta &lt;Input type='radio' value='b' name ='q14'/&gt;Montek Singh Ahluvalia &lt;Input type='radio' value='c' name ='q14'/&gt;Manmohan Singh &lt;Input type='radio' value='d' name ='q14'/&gt;Yashwant Singha &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;15.The Author of  'Eternal India' was : &lt;Input type='hidden' value='a' id ='foinp14'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q15'/&gt;Indira Gandhi &lt;Input type='radio' value='b' name ='q15'/&gt;Rajiv Gandhi &lt;Input type='radio' value='c' name ='q15'/&gt;Lal Bahadur Sastri &lt;Input type='radio' value='d' name ='q15'/&gt;V.P. Singh &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;16.The Author of  'Freedom from Fear' is : &lt;Input type='hidden' value='b' id ='foinp15'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q16'/&gt;Tasleema Nazreen &lt;Input type='radio' value='b' name ='q16'/&gt;Aung San Suu Kyi &lt;Input type='radio' value='c' name ='q16'/&gt;Salmon Rushdi &lt;Input type='radio' value='d' name ='q16'/&gt;Amartya Sen &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;17.The Author of the Preface for 'Gitanjali' was : &lt;Input type='hidden' value='b' id ='foinp16'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q17'/&gt;Rabindra Nath Tagore &lt;Input type='radio' value='b' name ='q17'/&gt;W.B. Yeats &lt;Input type='radio' value='c' name ='q17'/&gt;Mahatma Gandhi &lt;Input type='radio' value='d' name ='q17'/&gt;S. Radhakrishnan &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;18.The Author of  'Golden Threshold' was : &lt;Input type='hidden' value='a' id ='foinp17'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q18'/&gt;Sarojini Naidu &lt;Input type='radio' value='b' name ='q18'/&gt;Rabindranath Tagore &lt;Input type='radio' value='c' name ='q18'/&gt;Mulkraj Anand &lt;Input type='radio' value='d' name ='q18'/&gt;R.K. Narayan &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;19.The Author of  'Godan' was : &lt;Input type='hidden' value='c' id ='foinp18'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q19'/&gt;Sumitranandan Panth &lt;Input type='radio' value='b' name ='q19'/&gt;Maithili Sharan Gupta &lt;Input type='radio' value='c' name ='q19'/&gt;Prem Chand &lt;Input type='radio' value='d' name ='q19'/&gt;Jaishankar Prasad &lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;Input type='hidden' id='queshid' name= 'queshid' /&gt;20.The Author of 'Prison Diary' is &lt;Input type='hidden' value='b.' id ='foinp19'/&gt;&lt;br /&gt;&lt;tr&gt;&lt;td bgcolor='#fabfab'&gt;&lt;Input type='radio' value ='a' name ='q20'/&gt;A.B. Vajpayee &lt;Input type='radio' value='b' name ='q20'/&gt;L.K. Advani &lt;Input type='radio' value='c' name ='q20'/&gt;Sushma Swaraj &lt;Input type='radio' value='d' name ='q20'/&gt;Ram Jeth Malani &lt;Input type='button' onClick='fgetscore(this.form)' value='get score'&gt;&lt;br&gt;&lt;Input type='RESET' value='reset'&gt;&lt;/table&gt;&lt;/form&gt;&lt;br /&gt;&lt;p id='presult'&gt;.&lt;/p&gt;&lt;br&gt;&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-5667342497758341419?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/5667342497758341419/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=5667342497758341419' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/5667342497758341419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/5667342497758341419'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2011/07/books-and-authors-quiz.html' title='Books and Authors Quiz'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-28931998.post-7242565344059919828</id><published>2007-12-15T21:55:00.000-08:00</published><updated>2011-07-10T02:41:47.302-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='#001 Books and Authors Quiz'/><title type='text'>Books and Authors Quiz</title><content type='html'>&lt;strong&gt;TEST #49&lt;/strong&gt;&lt;br /&gt;This OBJECTIVE TYPE QUESTION TEST contains 10 questions relating to English Literature and Linguistics. Pl. try to answer them by noting answers on a piece of paper. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;481. '&lt;strong&gt;A sheaf gleaned in French fields&lt;/strong&gt;' -  author is:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Anita Desai b) Aurobindo c) Toru Dutt d) Dom Moraes.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;482. '&lt;strong&gt;Henr Derozio&lt;/strong&gt;' was:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a)First Indo Anglian Poet b) Italian painter c) Editor of 'The Bengal Magazine' d) writer of the poem 'Casuariana Tree'.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;483. Which of the following is &lt;strong&gt;not a work by Toru Dutt&lt;/strong&gt;?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Baugmaree b) Ancient Ballads c) The Lotus d) Morning Serenade.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;484. &lt;strong&gt;Devotion, mysticism and spirituality&lt;/strong&gt; are themes in the poetry &lt;/em&gt;of: &lt;br /&gt;&lt;br /&gt;a)Kamala Das b) Nissim Ezekiel c) Rabindranath Tagore d) Toru Dutt.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;485. &lt;strong&gt;'Light, my light, the world-filling light, the eye kissing light, heart-sweetening light'&lt;/strong&gt; - are melodious lines by:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Rabindranath Tagore b) A.K. Ramanujan c) Toru Dutt d) Kamala Das.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;486. &lt;strong&gt;When passions rise, faith is lost&lt;/strong&gt; - is an observation by:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Victor Hugo b) Rabindranath Tagore c) Walt Whitman d) W.B. Yeats.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;487. By &lt;strong&gt;'Overhead Poetry'&lt;/strong&gt; we mean:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Plagiarized poetry b) Complex poetry c) Canonical poetry d) Didactic Poetry.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;488. Which of the following writers is famous for his &lt;strong&gt;comic writings&lt;/strong&gt;:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a)Raja Rao b) Mulk Raj Anand c) R.K. Narayan d) Girish Karnad.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;489. '&lt;strong&gt;A Handful of Rice&lt;/strong&gt;' author of the novel is:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Kamala Das b) Kamala Markandeya c) Bhavani Bhattacharya d) Tarasankar Banerjee.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;490. Which of the following novelists can be considered as presenting themes depicting &lt;strong&gt;existentialism&lt;/strong&gt;?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Raja Rao b) R.K. Narayan c) Mulk Raj Anand. d) Anita Desai.&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-7242565344059919828?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/7242565344059919828/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=7242565344059919828' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/7242565344059919828'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/7242565344059919828'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2007/12/94-test-49-iel-multiple-choice.html' title='Books and Authors Quiz'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-28931998.post-4704951200351019539</id><published>2007-12-12T21:06:00.000-08:00</published><updated>2011-07-10T03:47:33.434-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Books and Authors Quiz'/><title type='text'>Indian Books and Authors Quiz</title><content type='html'>&lt;strong&gt;TEST #50&lt;/strong&gt;&lt;br /&gt;This OBJECTIVE TYPE QUESTION TEST contains 10 questions relating to English Literature and Linguistics. Pl. try to answer them by noting answers on a piece of paper. &lt;br /&gt;&lt;em&gt;IEL 491. &lt;strong&gt;Rose of God&lt;/strong&gt; is a poem by:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a) Aurobindo b) Subrahmanya Bharati c) A.K. Ramanujan d) Rabindranath Tagore.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 492. The &lt;strong&gt;first Indian English poet&lt;/strong&gt; as per available information on date is:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a) Aurobindo b) Harindranath Chatopadhyaya c) Rabindranath Tagore d) Toru Dutt.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 493. Which of the following is &lt;strong&gt;not a work of Rabindranath Tagore&lt;/strong&gt;:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a) The King of the Dark Chamber b) Kabulivala c)Savitri d) Gitanjali.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 494. Which &lt;strong&gt;English writer&lt;/strong&gt; wrote preface to Tagore's &lt;strong&gt;Gitanjali&lt;/strong&gt;?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) George Bernard Shaw b) C.F. Andrews c) E.M. Forster d) W.B. Yeats.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 495. The poetry of which of the following writers can be classified as &lt;strong&gt;"rebelling" &lt;/strong&gt;and "revolting"?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a) A.K. Ramanujan b)Harindranath Chatopadhyaya c) Kamala Das d) Nissim Ezekiel.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 496. Which of the following Indian English writers may be considered as writing &lt;strong&gt;something of personal interest and everyday subject matter&lt;/strong&gt; instead of philosophical and abstract ideas?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a) Aurobindo b) Nissim Ezekiel c) Rabindranath Tagore d) Sarojini Naidu.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 497. Which Indian English writer wrote of Bombay (Mumbai)as a :&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;Barbaric city sick with slums,&lt;br /&gt;       Deprived of seasons, blessed with rains,&lt;br /&gt;       Its hawkers, beggars, iron-lunged,&lt;br /&gt;       Processions led by frantic drums.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a) A.K. Ramanujan b) Jayanta Mahapatra c) Nissim Ezekiel d) Kamala Das.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;IEL 498. &lt;blockquote&gt;"SELF WAS LEFT, LONE,&lt;br /&gt;                    LIMITLESS, NUDE, IMMUNE"&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;This loneliness of soul is expressed by:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Aurobindo b) Kamala Das c) Nissim Ezekiel d) A.K. Ramanujan.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 499. &lt;strong&gt;"On the Gangaghat"&lt;/strong&gt; is a novel by:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Kamala Markandeya b) Mulk Raj Anand c) R.K. Narayan d) Raja Rao.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IEL 500. Which of the following Indian English authors may be classified as, &lt;strong&gt;"the most leaning towards the left"&lt;/strong&gt; ?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;a) Kamala Markandeya b) Mulk Raj Anand c) R.K. Narayan d) Raja Rao.&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-4704951200351019539?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/4704951200351019539/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=4704951200351019539' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/4704951200351019539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/4704951200351019539'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2007/12/95-iel-multiple-choice-questions-in.html' title='Indian Books and Authors Quiz'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-28931998.post-7136695630503494765</id><published>2007-11-19T00:46:00.000-08:00</published><updated>2011-07-10T03:49:11.983-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Two good blog sites for essays on English Literature'/><title type='text'>TWO GOOD BLOG SITES FOR ESSAYS ON INDIAN ENGLISH LITERATURE</title><content type='html'>Searching for good blogs has become tough owing to proliferation of spamming blogs which misuse key words.&lt;br /&gt;&lt;br /&gt;I furnish below for the benefit of my readers two good blogs which contain research papers in Indian English Literature.&lt;br /&gt;&lt;br /&gt;1. REPRESENTATION OF INDIAN WOMEN IN MEN'S POETRY&lt;br /&gt;BY DR. SHALEEN KUMAR SINGH, BUDAUN, UTTAR PRADESH, INDIA.&lt;br /&gt;&lt;a href='http://drshaleen.blogspot.com/2007/11/research-papers.html' target='_blank'&gt;http://drshaleen.blogspot.com/2007/11/research-papers.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;2. IMAGE OF INDIAN WOMEN IN WOMEN'S POETRY&lt;br /&gt;BY DR. KALPNA RAJPUT, BUDAUN, UTTAR PRADESH, INDIA.&lt;br /&gt;&lt;br /&gt;&lt;A HREF='http://kalpna111.blogspot.com/2007/11/research-papers.html' TARGET='_BLANK'&gt;http://kalpna111.blogspot.com/2007/11/research-papers.html&lt;/A&gt;.&lt;br /&gt;&lt;br /&gt;Both seem to be husband and wives, but I am not sure.  The blogs contain mutual comments.&lt;br /&gt;&lt;br /&gt;I request my readers to have a look.  I invite comments.&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-7136695630503494765?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/7136695630503494765/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=7136695630503494765' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/7136695630503494765'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/7136695630503494765'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2007/11/96-two-good-blog-sites-for-essays-on.html' title='TWO GOOD BLOG SITES FOR ESSAYS ON INDIAN ENGLISH LITERATURE'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-28931998.post-651810833400706256</id><published>2007-10-12T00:37:00.000-07:00</published><updated>2011-07-10T03:52:16.211-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Reading Efficiently by Albert P Rayan'/><title type='text'>#97  : GOOD ENGLISH LEARNING WEBSITES</title><content type='html'>Today (Oct. 12, 2007) I read an essay titled "Reading efficiently" by Mr. Albert P Rayan, an English Language Teaching (ELT) resource person.  I found the essay in the Print edition of the Indian Express - Education Express Supplement.&lt;br /&gt;&lt;br /&gt;I felt that I should give a link to our readers.  I visited the Indian Express.Com, but could not trace the essay.  I also tried to search the essay on the Net through a Google search, but could not succeed.&lt;br /&gt;&lt;br /&gt;Then, I went for the nearest possible site, where the essay may be found in future.  Or at least the present content may be useful.&lt;br /&gt;&lt;br /&gt;&lt;a href='http://www.globalenglishteacher.com/articlelive/categories/Advanced-English-Language-Learning'&gt;http://www.globalenglishteacher.com/articlelive/categories/Advanced-English-Language-Learning&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The site has some articles by Mr. A P Rayan.  His email address: rayanal@yahoo.com.&lt;br /&gt;&lt;br /&gt;Mr. A.P. Rayan gave some tips for "Critical Reading" of texts: 1. He expects a critical reader to ask questions: such as a) What is the text about? b) What does the author tries to say?  c) Is the author objective? d) Can the author's views be accepted?&lt;br /&gt;      &lt;br /&gt;The method suggested by Mr. Rayan is, in my view very effective.&lt;br /&gt;&lt;br /&gt;I request the readers to help in tracing out a link to "Critical Reading" by Mr. Rayan.&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-651810833400706256?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/651810833400706256/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=651810833400706256' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/651810833400706256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/651810833400706256'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2007/10/review-no-4-good-english-learning.html' title='#97  : GOOD ENGLISH LEARNING WEBSITES'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-28931998.post-2927028960274676586</id><published>2007-08-21T07:22:00.000-07:00</published><updated>2011-07-10T03:54:32.059-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Review of Spoken English Classes in India'/><title type='text'>SPOKEN ENGLISH COACHING IN INDIA</title><content type='html'>There are hundreds of thousands of Coaching Centres in India which profess to impart Spoken English.  They offer crash courses which may serve as refresher to those who wish to get some employment in a Call Centre.  Some Centres say that they train the eager youth in gaining communication skills.  Most of these are for very limited periods not exceeding 45 days.&lt;br /&gt;&lt;br /&gt;The basic problems of African and Asian students speaking and writing English are&lt;br /&gt;&lt;br /&gt;1. lack of fluency&lt;br /&gt;2. inadequate vocabulary&lt;br /&gt;3. thinking in mother tongue and trying to translate it into English&lt;br /&gt;4. grammatical errors&lt;br /&gt;5. idiomatic errors&lt;br /&gt;6. desire to impress others with their language&lt;br /&gt;&lt;br /&gt;All these problems cannot be corrected in 45 days or less. &lt;b&gt; What could not and what has not been learnt in 16 or 20 years of school and college education upto post-graduate or professional degree, cannot now be gathered or cultivated in a month and a half. &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;We cannot say that it is too late.  Then, there must be a way out.&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-2927028960274676586?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/2927028960274676586/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=2927028960274676586' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/2927028960274676586'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/2927028960274676586'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2007/08/spoken-english-coaching-in-india.html' title='SPOKEN ENGLISH COACHING IN INDIA'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-28931998.post-114958302618458527</id><published>2006-06-06T01:03:00.000-07:00</published><updated>2011-07-10T03:50:31.913-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Classical English Literature - a review'/><title type='text'>ENGLISH LITERARY REVIEWS</title><content type='html'>&lt;table border='10' bgcolor="#efddef"&gt;&lt;br /&gt;&lt;th align='center'&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="LO"&gt;LOVE MATRIX - JOHN DONNE AND FRANCIS BACON&lt;/a&gt; &lt;br /&gt;&lt;/th&gt;&lt;br /&gt;&lt;br /&gt;&lt;tr&gt;&lt;br /&gt;&lt;td&gt;&lt;br /&gt;&lt;br /&gt;John Donne (British poet 1572-1631) wrote love and metaphysical poetry. In his poems "Canonization", "Good-morrow", "Valediction of my name in the Window" elevated love to Platonic heights.&lt;br /&gt;&lt;br /&gt;"And by these hymns, all shall approve &lt;br /&gt;Us canonized for love ;" - (Donne in Canonization).&lt;br /&gt;He considered lovers as saints.&lt;br /&gt;&lt;br /&gt;Francis Bacon (British writer 1562-1626) wrote critical essays. "Of love" is one of them. According to it, &lt;br /&gt;"there is not one, that hath been transported to the mad degree of love: which shows that great spirits, and great business, do keep out this weak passion." &lt;br /&gt;According to this wise persons need not give much value to passion.&lt;br /&gt;&lt;br /&gt;[Notes: Personal lives of Donne and Bacon may have their own skeletons in the cupboard. A biographer of Donne described him as young rake (immoral person). Bacon was accused of sodomy. We are looking only to literary side.] &lt;br /&gt;&lt;br /&gt;Now, here is a graph which shows the sexual-asexual moral-amoral ends of LOVE.&lt;br /&gt;&lt;br /&gt;Platonic Love : Deals with non-sexual relationships. Usually between one aged and one young person. &lt;br /&gt;&lt;br /&gt;Passionate Love : Deals more with sexual aspects, often found in newly found couples. When the age advances far, only Platonic love may be left.&lt;br /&gt;&lt;br /&gt;Gopika Love : This love is described in the Epic Maha Bhagavata. Thousands of gopikas are milk maid women. In their love towards Lord Krishna, they leave their husbands in the midnight and reach the river Yamuna. There is nothing sexual in this. Whether the love is moral or amoral is a question of interpretation.&lt;br /&gt;&lt;br /&gt;Adultery and paid sex work: There is much of body work and little of exchange of hearts.&lt;br /&gt;&lt;br /&gt;Same couple may be in different states of love depending on the psychological situations they place themselves in.&lt;br /&gt;&lt;/td&gt;&lt;br /&gt;&lt;/tr&gt;&lt;br /&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;P style = 'color:blue; back-ground:magenta'&gt;&lt;br /&gt;&lt;a name="JO"&gt;JOHN MASEFIELD&lt;/A&gt;&lt;br /&gt;&lt;br /&gt;WHAT DO BRITISH VESSELS CARRY NOW-A-DAYS? (JOHN MASEFIELD'S BIRTH DAY)&lt;br /&gt;&lt;br /&gt;June 1, today is the birthday of John Masefield, the British Poet Laureate 1930-1967. He had close connections with US visiting Yale and Oxford Universities and receiving honorary doctorates from them. A gifted speaker, he addressed American soldiers, winning their acclaim in the process.&lt;br /&gt;&lt;br /&gt;Masefield worked as a sailor while in youth and had great appeal for the poetry of the Seas.&lt;br /&gt;&lt;br /&gt;Sample: A brief analysis of the poem "Cargoes". He compares three ships arriving from three countries with their varying cargo.&lt;br /&gt;&lt;br /&gt;1. From Ophir (New South Wales, Australia - first paying goldmine in Australia ): apes, cedarwood, ivory, peacocks, sandalwood, and sweet white wine. &lt;br /&gt;&lt;br /&gt;2. From Isthmus (Panama): The Spanish ship is bringing amethysts, cinnamon, diamonds, emeralds, gold moidores* and topazes.&lt;br /&gt;&lt;br /&gt;3. From the Channel: The vessel is salt-caked and smoke stacked. Cargo: cheap tin trays, coal, firewood, iron ware, road-rail, pig-lead.&lt;br /&gt;&lt;br /&gt;Direct meaning we get is that the British vessel was dirty and carrying abominable things which are cheap. (Original poem can be seen at wikipedia.org.&lt;br /&gt;&lt;br /&gt;Indirect indication is: Distant colonial countries send beautiful and valuable cargo.&lt;br /&gt;&lt;br /&gt;Today: What do the British vessels carry?&lt;br /&gt;&lt;br /&gt;*gold moidore = Portuguese/Brazillian gold coin popular during the 19th Century. &lt;br /&gt;&lt;/P&gt;&lt;br /&gt;&lt;table border='10' bgcolor="#ffffee"&gt; &lt;br /&gt;&lt;th align='center'&gt;&lt;br /&gt;&lt;a href="#Contents"&gt;Back to Contents&lt;/a&gt;&lt;br /&gt;&lt;a name="HE"&gt;HEDONISM VS ASCETISM&lt;/a&gt;&lt;br /&gt;SHAKESPEARE &amp; BUDDHA comparison&lt;br /&gt;&lt;/th&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;tr&gt;&lt;br /&gt;&lt;td&gt;&lt;br /&gt;Does not Comparing Shakespeare and Buddha lead to a conflict between hedonism and ascetism?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Possible, when hedonism (living to derive maximum pleasure from life or drinking life upto sediment) and the ascetism are taken as mutually exclusive.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;How such conflict can be avoided?&lt;br /&gt;&lt;br /&gt;Often, there may not be any conflict at all.&lt;br /&gt;&lt;br /&gt;Pl. see the picture. In a continuum the pleasure and pain are the two poles of the same mind. They may not be like light and darkness. Every individual may be anywhere between -90 degrees to +90 degrees. Individuals during their life time may be moving several times hither and thither on the line.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;What is the Northern extreme of exuberance?&lt;br /&gt;&lt;br /&gt;The perfectly exuberant man will be ready to invite the pleasure and pain eagerly. He laughs and weeps like a child depending on the position he is placed. &lt;br /&gt;&lt;br /&gt;What is the Southern extreme of stoicism?&lt;br /&gt;&lt;br /&gt;The perfect stoic is like a stone. He is tight lipped. His tear sacs are dry, not because they have been exhausted of tears, but because he prides himself in being tear-free. Bhagavad Gita unfortunately envisioned this type of fellow as a man of steady wisdom. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Then who is a man of steady wisdom?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;You can see from the picture, the man of steady wisdom is equidistant from pleasure, pain, stoicism and exuberance. His central position does not mean that he is static and inert or a cat on the wall. He lives as per natural instinct. He does not lose his natural poise. His shift from position to position will also be natural as the situation demands. He will be enthusiastic but not a fanatic.&lt;br /&gt;&lt;br /&gt;Can Shakespeare be considered as Buddhist?&lt;br /&gt;&lt;br /&gt;There is much hype around the writings of Shakespeare. Much hype around the life of Buddha. No hype around the life of Shakespeare. If we assume that Buddhist literature composed by the disciples of Buddha really reflect his teachings, then it will be difficult to say that Buddha himself was a real Buddhist in tune with his precepts.&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;br /&gt;&lt;/tr&gt;&lt;br /&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border='10' bgcolor="#bbbbcc"&gt;&lt;br /&gt;&lt;th align='center'&gt;&lt;br /&gt;&lt;a href="#Contents"&gt;Back to Contents"&lt;/a&gt;&lt;br /&gt;&lt;a name ="#PR"&gt;  PRONUNCIATION, SPELLING, SEMANTICS - TUG OF WAR BETWEEN LEXICOGRAPHERS AND NETIZENS &lt;/a&gt;&lt;br /&gt;&lt;/th&gt;&lt;br /&gt;&lt;br /&gt;&lt;tr&gt;&lt;br /&gt;&lt;td&gt; &lt;br /&gt;&lt;img style="width: 300px height: 225px" width = "300" height = "225"src="http://photos1.blogger.com/blogger/1676/2148/1600/english.jpg"&gt;&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;Spur:--- Guardian Newspaper report by Patrick Burkham, titled "Mangled by the Cut-and-Paste Culture".&lt;br /&gt;&lt;br /&gt;According to the report, the Oxford English Corpus - Oxford lexicographers are concerned that the traditional phrases are being mis-spelled on the NET.&lt;br /&gt;&lt;br /&gt;REVIEW AND COMMENT&lt;br /&gt;&lt;br /&gt;We should be grateful to the American English for making the language easier, functional and lively without being fussy.&lt;br /&gt;&lt;br /&gt;There is a triangular tug of war among:&lt;br /&gt;pronunciation and spelling;&lt;br /&gt;spelling and semantics;&lt;br /&gt;pronunciation and semantics.&lt;br /&gt;&lt;br /&gt;Semantics is the part of linguistics which deals with the meanings of the words.&lt;br /&gt;&lt;br /&gt;A living language is used by the people for speaking and writing. English is a geographically extensively used language, but it is not learnt intensely.&lt;br /&gt;&lt;br /&gt;Words in a living language are like stones in a mountainous river which has rapid current. The stones get smoothened and round with afflux of time. Words also get smoothened in pronunciation and spelling with chronological erosion and geographical expansion. Meanings may change moderately or drastically.&lt;br /&gt;&lt;br /&gt;Thus all the three pronunciation, spelling and semantics are subordinate to the TIME AND SPREAD.&lt;br /&gt;&lt;br /&gt;Alphabet and the script are the tools to represent oral ideas in writing. In strict sense spelling should be subordinate to pronunciation. The effort to standardise and ossify spellings will only widen the gap between written and spoken versions of the same language. Trying to stop the change in the meaning of the word also may not fructify. &lt;br /&gt;&lt;br /&gt;HOW TO PREVENT THE USE OF A WORD IN AN ERRONEOUS SENSE?&lt;br /&gt;&lt;br /&gt;The OEC (Oxford English Corpus) is in custody of a database of a billion words. They might have identified a few thousands of words which are misused in the internet. Taking for example the phrase 'strait jacket' selected by them, where they found that netizens are using the incorrect phrase of 'straight jacket' , there is a need to identify globally implementable solutions which are less abrasive, expensive, fussy and palatable.&lt;br /&gt;&lt;br /&gt;WHAT COULD BE IMPLEMENTABLE SOLUTIONS?&lt;br /&gt;&lt;br /&gt;Coining of new words with different sounds. For example, the words 'strait' and 'straight' have same sounds. People preferred the complex spelt phrase 'straight jacket' though it is semantically erroneous, only because they might have felt that words with difficult spellings are the usually correct words. Just as a sex worker uses more cosmetics and creams than a natural person, words may use more number of redundant LETTERS which are not part of pronunciation and are nothing but appendages. &lt;br /&gt;&lt;br /&gt;To eliminate these redundancies, the word 'STRAIGHT' may be pruned and re-spelt as 'STRAIG' with all the letters spelt.&lt;br /&gt;&lt;br /&gt;Elimination of redundant spellings not only make the pronunciation more realistic and phonetic, but also reduce the burden of the language users who have little time to carry dictionaries on their shoulders and carry out decision making exercise before choosing every word, though that may be more appropriate. This is because where is the time for business managers, employees, Govt. officials, professionals students, technocrats to be word searchers and researchers?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;IMPORTANT&lt;br /&gt;The OEC or the Oxford dictionary or anybody else cannot impose new spellings. They can only suggest. It is for the netizens ultimately to use them or ignore them.&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;br /&gt;&lt;/tr&gt;&lt;br /&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border='10' bgcolor="#eeffee"&gt; &lt;br /&gt;&lt;th align='center'&gt;&lt;br /&gt;&lt;a href="#Contents"&gt;Back to Contents&lt;/a&gt;&lt;br /&gt;&lt;a name="ro"&gt;ROBERT BROWNING&lt;/a&gt;&lt;br /&gt;&lt;/th&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;tr&gt;&lt;br /&gt;&lt;td&gt;&lt;br /&gt;Today, May 7, is the birth anniversary of Robert Browning, English poet, 1812-1889.&lt;br /&gt;&lt;br /&gt;An elaborate chronology of Browning's life can be found at http://en.wikipedia.org/wiki/Robert_Browning.&lt;br /&gt;&lt;br /&gt;WHAT WE CAN LEARN FROM THE LIFE OF ROBERT BROWNING?&lt;br /&gt;&lt;br /&gt;1. At an early age of 12 he wrote a book of poetry. He destroyed it as he could not find a publisher. Consequently, we lost an opportunity to read what he would have thought at such an early age. -- As writers even we may find paucity of buyers for our works. The lesson is : better we not destroy.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;2. Browning tried his hand in drama, but did not achieve much success. -- (Comment:) We have to see the environment of drama, when he wrote. Favourable environment facilitate success of even mediocre dramas, while receptivity may be poor when people are enamoured with something which they consider as more worthwhile. Thus failure does not necessarily mean, lack of substance in the work.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;3. Browning's magnum opus was "The Ring and the Book" - a 12 volume poetry. 20,000 lines. A commercial and literary success. (Comment): Today, how many people will have time to read 20,000 lines of poetry?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;4. Why do later works of writers are not extensively read?&lt;br /&gt;&lt;br /&gt;This happened in Browning's case also. Does creativity no longer ooze? Do they take readers for granted just as politicians take voters for granted. &lt;br /&gt;&lt;br /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TABLE&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border='10' bgcolor="#eeeeee"&gt;&lt;br /&gt;&lt;th&gt;  &lt;br /&gt;&lt;a href="#Contents"&gt;Back to Contents&lt;/a&gt;&lt;br /&gt;&lt;a name="TH"&gt;THOMAS HARDY'S HERO IN MAYOR OF CASTERBRIDGE&lt;/a&gt;&lt;br /&gt;&lt;/th&gt;&lt;br /&gt;&lt;br /&gt;&lt;tr&gt;&lt;br /&gt;&lt;td&gt;&lt;br /&gt;JUNE 2, (1840) today is the birthday of Thomas Hardy, memorable English writer of the Victorian Era. We shall recall two of his writings.&lt;br /&gt;&lt;br /&gt;One peculiar thing about his last rites is worth noting. His heart was buried at Stinsford. His other remains were buried at the poets' corner in the Westminster Abbey. (See www.wikipedia.org/wiki/thomas_hardy for more details.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. Mayor of Casterbridge (1886):&lt;br /&gt;&lt;br /&gt;This novel has a rural setting. The hero (protagonist) Michael Henchard is not like a traditional hero. Some-what villainish. Initially he works as an agricultural labourer. He is addicted to alcohol. The circumstances forces him to sell his wife (Susan) and the only child (Elizabeth Jane) to a sailor, Newson.&lt;br /&gt;&lt;br /&gt;The child dies.&lt;br /&gt;&lt;br /&gt;He and his wife live separately for more than 18 years. He settles in another village. His fortunes change. He becomes rich and the mayor of the village. He develops second relationship with Lucette, but does not marry her.&lt;br /&gt;&lt;br /&gt;Susan has another child from the buyer (Newson), with the same name Elizabeth Jane.&lt;br /&gt;&lt;br /&gt;Susan and Jane come to Henchard's village, searching for him.&lt;br /&gt;&lt;br /&gt;Henchard does not want his village to know his ignoble past of selling wife and child. Tactfully, he remarries Susan and comes nearer to Jane, thinking that she is his daughter.&lt;br /&gt;&lt;br /&gt;Henchard has corn business. Farfrae is the Manager of it. &lt;br /&gt;&lt;br /&gt;Henchard and Farfrae develop differences in business. Farfrae opens his own shop.&lt;br /&gt;&lt;br /&gt;Susan dies, giving him a closed cover to be opened on the wedding day of Jane.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Henchard comes to know that Jane is not his child, but Newson's child. He distances himself from her.&lt;br /&gt;&lt;br /&gt;Henchard's business fortunes turtle; he becomes as poor as when he sold Susan. &lt;br /&gt;&lt;br /&gt;Farfrae becomes the Mayor.&lt;br /&gt;&lt;br /&gt;Farfrae also develops relationship with Lucetta.&lt;br /&gt;&lt;br /&gt;When Henchard is away from the town Farfrae and the villagers conduct a mock trial of Henchad and Lucetta parading their effigies. This is called Skimmity-ride. Unable to bear the agony, Lucetta dies.&lt;br /&gt;&lt;br /&gt;Farfrae starts courting Jane. Henchard does not approve.&lt;br /&gt;&lt;br /&gt;Henchard opens Susan's envelope and learns that his original daughter Jane died. The living Jane is the daughter of Susan's buyer Newson. Henchard distances himself from Jane.&lt;br /&gt;&lt;br /&gt;Newson comes to visit his daughter Jane. Henchard sends him away telling him that Jane died. Newson goes back disappointed.&lt;br /&gt;&lt;br /&gt;Jane meets Newson and comes to know the truth that her father was Newson.&lt;br /&gt;&lt;br /&gt;Henchard attends Jane's wedding with Farfrae, with an intent to reconcile himself. He finds Newson at the wedding and leaves the village hurt, as he did not want to trouble her again.&lt;br /&gt;&lt;br /&gt;Jane sets out in search of Henchard. &lt;br /&gt;&lt;br /&gt;Henchard died. During his last days he was taken care of by Abel Whittle his former employee, whom he wanted to fire once.&lt;br /&gt;&lt;br /&gt;Whittle conveys to Jane, Henchard's message that nobody should remember him.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;2. Far from the madding crowd.&lt;br /&gt;&lt;/td&gt;&lt;br /&gt;&lt;/tr&gt;&lt;br /&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;table bgcolor="#eeeefe"&gt;&lt;br /&gt;&lt;th align='center'&gt;&lt;br /&gt;&lt;a href="#Contents"&gt;Back to Contents&lt;/a&gt;&lt;br /&gt;&lt;a name="Pronouns"&gt;&lt;h4&gt; ENGLISH LANGUAGE -SECOND PERSON PRONOUNS &lt;/h4&gt;&lt;/a&gt;&lt;br /&gt;&lt;/th&gt;&lt;br /&gt;&lt;br /&gt;&lt;tr&gt;&lt;br /&gt;&lt;td valign='top'&gt;&lt;br /&gt;"You" is the 2nd person pronoun in English.  Used both in singular and plural numbers.  Same when used between equals and unequals.&lt;br /&gt; &lt;br /&gt;In the old English there used to be a pronoun "thou".  Used in singular.  At that time there was a choice between "thou" and "you".  When a person wanted to show respect to the other man he was choosing "you".  Between equals or while conversing with God he was using "thou". &lt;br /&gt; &lt;br /&gt;Sanskrit and English both belong to the Indo-European group of languages.  Now, see the similarities in using the second person pronouns:&lt;br /&gt; &lt;br /&gt;Sanskrit : tvam.  English : thou;&lt;br /&gt;Sanskrit : yuvam. English : you.&lt;br /&gt; &lt;br /&gt;Even today Sanskrit is continuing both the pronouns.&lt;br /&gt; &lt;br /&gt;Often we may land in a perplexing situation whether to use tvam(thou) or yuvan(you), as it will reflect on the degree of respectability of receiver of our communication.  Since, English uses the respectable plural "you are", it is a safer language.  One always shows courtesy and receives courtesy.&lt;br /&gt; &lt;br /&gt;&lt;h4&gt; TEACHER STUDENT RELATIONS &lt;/h4&gt;&lt;br /&gt; &lt;br /&gt;In Sanskrit, the teacher (guru) is kept on a higher pedestal and it is sinful to use the word tvam(thou) singular while referring to or speaking to the teacher.  Such disciple will be reborn as a demon in a desertlike waterless forest.  This is, too extreme a threat.  Now it can provoke laughter.  In the Western Colleges and Universities, there seems to be a custom of the student and the teacher moving so freely that they may smoke together, exchange drinks or play a game on an equal footing.  Today's education  has become more egalitarian in teacher - student relations.&lt;br /&gt; &lt;br /&gt;&lt;h4&gt;SANSKRIT VERSE &lt;/h4&gt;&lt;br /&gt; &lt;br /&gt;gurum tvam krutva hum krutva&lt;br /&gt;           guru saannithya bhaashan'a:&lt;br /&gt;aran'yee nirjalee dees'ee &lt;br /&gt;           sambhaveet brahma raakshasa:.&lt;br /&gt; &lt;br /&gt;Pronunciation note: Letters followed by ' apostraphe have a retroflex sound. (gist: A person who addresses teacher in singular number or becomes irate towards teacher will be reborn as a demon in a desert jungle. &lt;br /&gt;&lt;/td&gt;&lt;br /&gt;&lt;/tr&gt;&lt;br /&gt;&lt;/table&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 450px height: 200px" width= "450" height = "200" src="http://www.blogcharm.com/uploads/m/MULTISUBJ/6298.jpg" width ="450" height = "225"&gt;A brief review on "The Cocktail Party" of T S Eliot&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 400px height: 200px" width = "400" height="200" src="http://www.blogcharm.com/uploads/m/MULTISUBJ/6395.jpg"&gt;Love Triangles&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 338px height: 150px" width = "338" height = "150" src="http://www.blogcharm.com/uploads/m/MULTISUBJ/6544.jpg"&gt;Longevity&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 320px height: 240px" width="320" height="240" src="http://photos1.blogger.com/blogger/1676/2148/320/pleasure.1.jpg"&gt;Pleasure: Hedonism&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 300px height: 320px" width="300" height = "320" src="http://photos1.blogger.com/blogger/1676/2148/320/love.jpg"&gt;Love&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 300px height: 300px" width = "300" height = "300" src="http://photos1.blogger.com/blogger/1676/2148/320/simulation.jpg"&gt;Simulation&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 300px height: 300px" width="300" height = "300" src="http://photos1.blogger.com/blogger/1676/2148/320/success.jpg"&gt;Success&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 300px height: 300px" width="300" height="300" src="http://photos1.blogger.com/blogger/1676/2148/320/painting.jpg"&gt;Painting&lt;/img&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="width: 300px height: 300px" width="300" height="300" src="http://photos1.blogger.com/blogger/1676/2148/320/LOVE.0.jpg"&gt;BRITTLE LOVE&lt;/IMG&gt;&lt;div class="blogger-post-footer"&gt;pub-7493605992805218&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/28931998-114958302618458527?l=indianlityb.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://indianlityb.blogspot.com/feeds/114958302618458527/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=28931998&amp;postID=114958302618458527' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/114958302618458527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/28931998/posts/default/114958302618458527'/><link rel='alternate' type='text/html' href='http://indianlityb.blogspot.com/2006/06/english-literary-reviews.html' title='ENGLISH LITERARY REVIEWS'/><author><name>ybr</name><uri>http://www.blogger.com/profile/13635995478285822763</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry></feed>
